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Money matters

Snap Shots

Modern Medicine

Heart to Heart with Hillary

Let’s go to the movies


Money matters:   Graham Macdonald MBMG International Ltd.

Where do we go from here? Part 3

If you have suffered major losses in a serious economic downturn, the relevant argument is to look at whether or not it is clearly better to remain invested or not. The answers may surprise some readers. There have been many periods when, having been hurt by the onset of a downturn, it is better for investors to cut their losses rather than remaining invested as per the primary indices.

The chart on this page shows this much better than I can attempt to describe.
An investor would have been much better exiting the markets in 1900, 1929 and 1966 than remaining invested until the cycle lows of 1903, 1932 and 1975. In particular, let us focus on the most comparable previous major downturns. An investor who decided to hold and wait for the recovery after the market crash of 1929 (when the market fell around 35% from the peak to the year end) would have incurred a further loss of 34% in 1930 and then another loss of 53% in 1931. In fact, by the time the low was reached in 1932, an investor who stayed with the market would have seen the value of $100,000 reduced to just $10,814. An investor who had simply exited the Dow after the initial carnage of 1929 would have been almost SEVEN times better off. Our analysis of the data since then shows that if the Dow falls in a calendar year, there is a 38% chance that it will fall as well in the following year and the average fall in such a year is in excess of 20%.
Generally, the odds of a rising year after a falling year are reasonable; around three out of every five years following losing years tend to yield gains. However, the losing years tend to be heavy losses. Specifically, in a situation of the magnitude of the current crunch, precedent suggests that we should expect three more years of pain to follow and that the losses of 2008 might be less than half way down to the bottom.
We would emphasise that every situation is different - we have never exactly been here before and investment opinion is fiercely split as to what could happen next. But to say that history would vindicate a passive holding strategy at this point is completely misleading.
The cost of making the wrong choice at this time can be devastating - this is not a short term problem. Again, let us look to history for guidance. From 1900 to 1943, the Dow yielded an annual rate of return of just 2.3% per year. In real terms, there has been a fifty year period when the Dow returned less than 0.5% per year. In more recent times, from 1962 to 1982 the DJIA increased at a rate of just 2.4% per year. These are the dangers of buy-and-hold investing.
Now let’s look at the flip side of the coin. Without doubt, there are also good times. Simple maths dictates that there is a 60% chance of making money following a bad year. However, it is choosing where to go and what to do so as to reduce your risk that makes the difference.
In Summary
I would highlight there is still good money to be had. For instance, distressed property funds and distressed corporate bonds - these offer exceptional opportunities at clearly defined risks to the analytical buyer at the right time. Gold still looks good as does the multi-asset class approach. For those with a more adventurous outlook then Venture Capital and Private Equity can offer good returns but the potential downside is big as well.
The biggest shake up in the global economic landscape since the onset of the Great Depression has caused us to make a number of changes to our portfolios and we anticipated this scenario … any portfolio that was not positioned for these momentous events and yet still is not reacting is holding assets that have no relation to the prevailing economic situation. We fail to see how that can make any kind of sense from a risk-adjusted perspective. To our way of thinking it makes no sense to do nothing when the world is changing so quickly. Ostriches may bury their heads in the sand but good portfolio managers remain vigilant at all times - never more so than now!

The above data and research was compiled from sources believed to be reliable. However, neither MBMG International Ltd nor its officers can accept any liability for any errors or omissions in the above article nor bear any responsibility for any losses achieved as a result of any actions taken or not taken as a consequence of reading the above article. For more information please contact Graham Macdonald on [email protected]@mbmg-international.com.comm.com.com



Snap Shots: by Harry Flashman

Painting with ‘dark’

My first photographic studio was in a large building which had its own theatre for marketing activities. Unfortunately the business that had occupied the building went bankrupt, so there were no tenants, but I knew the caretaker, and I scored the theatre area that could be used for photography.
The theatre stage had all the lights you could imagine, footlights, overhead lights, spots, flares, everything. It even had an enormous sound system, so I could blow my ears off while setting up photographic sets for the commercial photography I was doing at that time. With all the theatre’s tungsten lighting, I used no flash, but compensated for the color shift by using blue gels over the theatre lights. Actually I had too much light, but it was all part of the learning curve.
My next studio was in a large waterfront building that had been a warehouse. I rented an area and then I painted everything white. Floors, doors, walls, windows. I had decided that I wanted to be able to use small apertures, so I needed as much light as I could get. By this stage I had also graduated to multiple flash units, so I had lighting that would have brightened up the darkest days. I could shoot at f32 easily with my Broncolor flash heads. There was only one problem. I could not get sufficient shadow to produce a good 3D effect. I was getting flat 2D pictures. I resorted to making huge flats (walls) which were painted matt black to try and get some shadow. The results were better, but the lighting was still not where I wanted it to be.
In the third studio, I used what I had learned from the first two and I painted the entire studio black - floors, doors, walls and windows. Now I could get good shadows, show form and even shoot mysterious images. I called this stage in my photographic career ‘painting with dark’.
Dark shadows allow the viewer to imagine what is being hidden. Your photograph “hints” at something and the viewer’s mind does the rest from there. This is used to great effect in ‘glamour’ photography (as opposed to pornography, by the way).
I found that it was much easier to begin with total darkness and then add the lighting I wanted (or needed) to produce the effect. I could gain complete control over the lighting, with no stray bouncing light to complicate and confuse, as had been the problem with my white studio.
Look at the two shots this week, of the dark-skinned girl in the black studio. In the first shot there are two light sources, a front light with a square ‘softbox’ fitted (look at the reflections in the eyes) and one hair light to the right rear.
Now look at the second shot, which had three light sources - a front light and two hair lights from either side, producing a more stark shot compared to the other moody dark shot. Even though there is some light spill in both shots, there is no resulting extraneous lighting to dilute the blackness. Painting with dark, I called it!
The third shot has three lights. A front light, a hair light and one very strong light into the black background, causing it to ‘blow out’. This shot is memorable because of the very sharp contrasts between light and dark.
Try to remember that darkness (shadow) can be even more important than light at times.


Modern Medicine: by Dr. Iain Corness, Consultant

BPPV - A fearsome condition - or am I spinning you a yarn?

Benign Paroxysmal Positional Vertigo (BPPV) is a very common, but very distressing condition. In it, you feel that the room spins around you and you cannot stop it. Have you ever been so drunk that when you lie down on the bed the spinning rotation is so bad you grip the edges of the bed to stop falling off? That is what BPPV is like - but without the hangover!
The symptoms of BPPV include dizziness (vertigo), lightheadedness, imbalance, and nausea. Activities that bring on symptoms will vary, but are almost always produced by a rapid change of position of the head. Getting out of bed or turning over in bed are common ‘problem’ motions. Because people with BPPV often feel dizzy and unsteady when they tip their heads back to look up, BPPV is sometimes called ‘top shelf vertigo.’ Women with BPPV may find that being shampooed can bring on the symptoms too. It also tends to be recurrent. So until you read further, don’t look up or get your hair washed!
To understand BPPV, you have to understand the workings of your inner ear. You have three semi-circular canals aligned in different directions, which act like spirit levels (the builders type, not the three fingers on the whiskey glass barman type) which have cells with fine hairs bathed with fluid as your head moves in different directions. The movement of the fine hairs sends electrical impulses to the brain to tell it (and you) which way is “up”.
However, with BPPV, the natural movement inside the semi-circular canals is disrupted, so the fine hairs send the wrong signals to the brain, and being unable to work out which way is really “up” the sufferer falls over, totally unable to save themselves from hitting the floor. Debilitating and embarrassing!
The commonest cause of interruption to the normal ebb and flow in the semi-circular canals is produced by “ear rocks”. These are made up of crystals of calcium carbonate, and we medicos call these “otoconia”. Imagine these to be like sugar crystals in the bottom of your coffee cup. These now swish around every time you move your cup, and likewise your “ear rocks” swish around every time you move your head.
However, it is not all that simple (it never is, is it?) as the commonest cause of BPPV in people under 50 is head injury. In older people, the most common cause is degeneration in the semi-circular canals of the inner ear. BPPV becomes much more common with advancing age, but in 50 percent of all cases, BPPV is called ‘idiopathic’, which is a fancy word we use when we have no real idea as to the cause!
Viruses can be accused too, such as those causing vestibular neuritis, minor strokes such as those involving anterior inferior cerebellar artery (AICA) syndrome, and Meniere’s disease are significant but unusual causes. Occasionally BPPV follows surgery, where the cause is felt to be from a prolonged period of lying on the back with the chin raised (for the anesthetic tubes to slip down your throat), or ear trauma when the surgery is to the inner ear.
Because there are some other conditions which can produce similar symptoms, it is necessary to correctly identify the cause. Today, specialist clinics (Hearing, Speech, Balance, Tinnitus) can identify the true nature of your recurrent dizzy spells (so you may not have to take more water with it) and look towards the correct further actions.
Is there any treatment? Yes there is, usually a series of maneuvers you are put through which are designed to move the ‘ear rocks’ around till they no longer cause problems. These are demonstrated by the balance specialists and usually result in around a 90 percent cure rate.
If you are a sufferer from what looks like BPPV, do check in and have this investigated. No need to suffer needlessly!


Heart to Heart with Hillary

Dear Hillary,
Can nothing be done about the public transport here? The song taew drivers give the place a bad name with their stand-over tactics and demands for fares much greater than should be the case. No wonder the foreign tourists look for taxis, but unless they have their wits about them they will again be quoted exorbitant fares, rather than using the meters. This seems to be the norm for all of the taxis parked at the side of the street. For a real fun time, try a tuk-tuk which will attempt to take you straight to the nearest jewelry shop that pays for their fuel. Until our city fathers meet the song taew monopoly head on and produce a real public transport system, this will always be a third world tourist destination.
“Where you go?”
Dear “Where you go?”
Unfortunately you are quite correct in most of your comments, my Petal. The songthaews which do not have any fixed or marked destination will always be a turn-off for tourists, as the majority of the drivers do not speak another language. Why would you expect them to get on transport with unmarked destinations? Taxis advertise meters and refuse to use them, or “meter broken” every time. Perhaps it is time for the TAT to get involved and issue ‘tourist bus’ licenses for drivers who meet a minimum standard in communication. Hillary has given up with the songthaews, taxis and tuk-tuks, and uses motorcycle taxis when possible (still none in Chiang Mai). They appear to be a friendlier bunch and will heed the “cha-cha” (slowly) instructions. You do have to barter first, but that’s part of the fun of living in the ‘third world’.

Dear Hillary,
My wife always forgets when her visa runs out and it always ends up with me paying for overstays. I even said I would handle it if she wanted, so that this did not happen all the time, but she asserts her independence all the time and calls it interfering if I say I’ll take charge of it. This has happened more than just a couple of times too.
Visa Val
Dear Visa Val,
You have come to the right person as yours is an easy problem to fix (permanently). Your wife wants independence above all else, so give it to her. Let her overstay and let her pay for the overstays at whatever it is a day at the current going rate. With any luck it will cost so much they won’t let her back in and all your future woes are fixed at the same time.

Dear Hillary,
Please give that Mister Singha person the old heave-ho. Or if you can’t do it through age or infirmity, let us know and we’ll happily do it for you. We are tired of reading the drivel he comes out with.
Carl Saberg and the boys
Dear Carl (Saberg and the boys),
I think you are even more out of date than I am, my Petal. Carlsberg? Or “Carlsaberg” as it was known, hasn’t been seen on these shores for some years. But you have to remember the commercial side to all this - he did send me a bar of Lindt chocolate, which is more than you have! Not that it is compulsory to send me little gifts (but large ones are even more acceptable)!

Dear Hillary,
Have you seen that funny photo of your venerable consultant clutching his second edition? He looks as high as a kite and I haven’t laughed so much since Uncle Jumbo caught his wotsit in the trouserpress! What’s he on, Hillary? What is the old boy on?
Mistersingha
Dear Mistersingha,
I was about to consign you to the round file in the corner of the room, but I relented, just to show you there are no hard feelings. The Lindt chocolate bar did help your cause, but the goodwill from that is rapidly running out. You have also got me in a quandary, Petal. References to consultants and “Uncle Jumbo”? What are you on, Mistersingha? What are you on?

Dear Hillary,
Why do the Thai girls all wear those molded plastic and rubber bras that look like two dumplings attached to the front of their chests? It is obvious that the lumps don’t belong to them, but come from their bra manufacturer. I’m like a lot of guys and like a nice pair on a girl, but real ones, not rubber ones, please.
Tim the T-man
Dear Tim the T-man,
I presume you mean Tim the Toyman, you naughty little Petal! I must admit that I have never heard the girls in the lingerie shops asking if madam would like one lump or two, as I have heard in some five star restaurants over coffee. Perhaps something swinging is going on behind the kitchen swinging doors that Hillary is unaware of. Dearie me! Since Thai girls were standing behind the door when the chests were given out (the Russian ladies made it to the front row), we have to do something to catch the eye of Toymen like you, Tim. So you have discovered our secret. Don’t tell everyone, that’s a good boy.


Let’s go to the movies: by Mark Gernpy

Now playing in Pattaya

The Wrestler: US Drama/ Sport – Mickey Rourke’s portrayal of an over-the-hill athlete has won him many accolades, including a Golden Globe win and an Oscar nomination as best actor.  I think it’s truly quite a wonderful performance of a loser of a professional wrestler – Randy the Ram – who you wouldn’t ordinarily care about.  But you end up caring about this man considerably.  I even got caught up in the so-called “sport” – which I have always … well, despised.  Directed by Darren Aronofsky (The Fountain).  Rated R in the US for violence, sexuality/nudity, language and some drug use.  Probably heavily censored for release here – seems to be about 10 minutes shorter than the US release.  Reviews: Universal acclaim.

Seven Pounds: US, Drama/ Romance – I find this a dreadful movie, and it makes me feel very uncomfortable just to talk about it.  I think it’s grim, morose, undone by an illogical plot, and shamelessly manipulative of your emotions.  But I must admit that Will Smith is a charismatic actor, and you can hardly not watch him and get involved.  In this unbelievable and exasperating story, Smith plays an IRS agent who is depressed and guilt-ridden about mistakes from his past, and he sets out to make amends by helping seven strangers.  Directed by Gabriele Muccino (The Pursuit of Happyness).  Generally negative reviews.

Miss You Again / A-Nueng: Thai, Comedy/ Drama – The third entry in veteran director Bhandit Rittakol’s popular teen romance series that began in 1992 with I Miss You, and continued with I Miss You 2 in 1996.  It’s a teenage movie about old school friends trying to save their financially-troubled school from closing and being sold to a big supermarket company.

Meat Grinder/ Cheuat gon chim:  Thai, Horror – A slasher/horror, torture-porn thriller about a noodle-shop lady who serves up a special meat with her dishes.  Shades of Sweeney Todd!

Dragonball Evolution:  US, Action/ Adventure/ Fantasy/ Sci-Fi/ Thriller – This film doesn’t open in the US/UK until April 8; they’re testing it on us here in Asia!  It’s the tale of young warrior Son Goku, who seeks to fulfill his grandfather’s dying request to find the great Master Roshi (a very delightful Chow Yun Fat) and gather all seven magic Dragonballs before the evil Piccolo does.  Feels much like being caught inside an arcade computer game, but with less logic.  Based on the hugely popular 1984 Japanese manga by Akira Toriyama which lasted for 519 issues and spawned a phenomenally successful television series.  This live-action film, directed by James Wong (Willard, Final Destination), is vastly confusing to all who have not read all 519 manga.

Bolt: US Animation/ Comedy/ Family – John Travolta does a superb job voicing Bolt, a canine TV star convinced of his superpowers who sets out on a cross-country journey to find his owner.  I found it a complete delight, containing many moments of real heart.  If you at all enjoy animation, don’t miss this one. Great for kids – and adults! Generally favorable reviews.

Watchmen:  US/ UK/ Canada – Action/ Drama/ Fantasy/ Sci-Fi/ Thriller – This film simply blew me away!  I think that once you accept the violence and the comic-book origins, you will find it a monumental film.  If you liked The Dark Knight or A Clockwork Orange, you should appreciate this.  It’s complex and multi-layered, and set in an alternate 1985 America.  Amidst all the blood there’s a lot of philosophy, and a lot to think about and debate before you see it again.  Rated R in the US for strong graphic violence, sexuality, nudity, and language.  Mixed or average reviews.

Best of Times:  Thai Romance/ Drama – Leisurely romantic drama centers on two couples, young and old.  A young vet struggles to forget his first love, and when he meets her again years later she doesn’t seem to remember him at all.  An elderly man and woman, each alone in the world, meet and fall in love.  I found it tedious and unremarkable, though I did enjoy the performances of the older couple.  By the director of Iron Ladies and Metrosexual.

Power Kids:  Thai Action/ Comedy – Except for the fights, a film of mind-boggling ineptitude about kids battling terrorists in a hospital.  Sloppy script and plotting, sloppy directing and photography – none of which seemed to bother the audience, who seemed to enjoy it immensely.  Also has sloppy English subtitles, e.g., “He’s been sleeping like vegetables for months.”

Valkyrie: US/ Germany Drama/ History/ Thriller/ War – A well-crafted, thinking-person’s action movie, with a really very good script; it’s intelligent, makes sense, the dialogue is terse and expressive, the plotting is solid, and it’s tense and exciting.  About the near-miss assassination of Adolf Hitler by a ring of rebel German army officers in 1944, starring a restrained and excellent Tom Cruise.  For many reasons, I think it’s a movie to be seen.  Mixed or average reviews.