Gold, Silver and Black Velvet


I often mention the Celestial Light Technician. A fancy term for sun light. Unfortunately, sunlight can be very difficult to use, particularly with clouds passing between you and the sun. You are all ready to trip the shutter and the Celestial Lighting Technician turns it all off and you have to wait for 10 minutes and then you only get two minutes to get the shot, very difficult with portraits taken outside.

Please Support Pattaya Mail

Fortunately, you can get over this problem with some simple reflectors and absorbers. I was reminded of reflectors after I was given a silver and a gold reflector, very natty, fold away, store easily, carry easily reflectors. These particular ones even came in their own little zip-up bags to keep them warm and dry. They unfold to make a one and a half meter diameter circular reflector. Both are white on one side, but on the other, one is gold and the other is silver. However, they are very simple to make.

But first, why do you need a reflector? If they are so damn good, why aren’t we all rushing around with silver and gold reflectors tucked under our arms? The simple answer is that we get too complacent and we end up saying that the results we get are “good enough”, or we were just taking snapshots anyway. However, if you really want photos that leap off the page, think about reflectors!

The first thing a gold reflector can do for your photographs is to give skin tones that “golden glow” that just makes outdoor portraits look that much more pleasing.

So what else does a reflector do for your photographs? Well it allows you to photograph “contre jour” as they say in the classics. That is having the light behind your subject (generally the sun) and then you can throw some reflected light back into the subject’s face. If you do not do this, the usual result is something closer to a silhouette than a portrait – a bright halo around the subject which then becomes so dark in the face that you cannot distinguish the features. But with the reflector, you can push the light back in and pick up the details.

So that was the gold reflector – what about the silver one? Well, if you want “clean” and bright light on a subject anywhere, the silver reflector will do that for you. Use to use this type of reflector when photographing silver jewelry or even motor cars, for example. Mind you, if you are photographing gold jewelry you must use a gold reflector or otherwise the gold necklaces look silver in the photo.


Now, here’s how you make your own. Get some “foamcore” – that lightweight plastic material that is often used to make signs (any signmakers will have some). Around one meter square is OK. Now go to the newsagents and buy some gold wrapping paper and some silver wrapping paper. Cover one side of the “foamcore” with silver and the other side with the gold paper and you have lightweight, portable (you can fold them in half easily) silver and gold reflectors. And it has cost you less than a couple of hundred baht.

Now “absorbers”. To give your shots some shadow, or even an air of mystery, it is good to manipulate the amount of shadow in your portraits. You do this by placing something on the side of the subject away from the light source, to absorb (and not let light be reflected back into the subject) and allow a natural fall-off of light. The best absorber is black velvet. You bring the black velvet absorber as close as you can to the subject, without it coming into the viewfinder. It is that simple.

To make this absorber, use another one meter square sheet of foamcore and cover one side with black velvet material. Any tailor shop has it. You pin or clip the material to the foamcore and that is it.

You will really be amazed by the way the use of a reflector and absorber can put a different atmosphere into your photographs – especially portraits. Try taking the same shot using different reflectors and note the difference for future use.