Any photograph is, or should be, a representation of what the photographer has
seen, because photography really is all about the art of “seeing”. Successful
photographers are very often ones who have discovered a “different” way of
seeing the subjects they (and you and I) photograph.
A big truck for a three year old.
One obvious example was the British photographer Bill Brand,
famous for photographing nudes by using a wide-angle lens on the camera. This
gave a very distorted figure, but one that became “arty” and produced fame for
Brand. Whether you find Brand’s viewpoint aesthetic does not matter - the
important fact to remember was that it was different.
Now, this does not mean that I suggest you race down to
Jomtien Beach with a fish eye lens on the camera and try and persuade people to
remove their outer garments! Far from it. You should stop for a while and
consider something unusual, compared to your “standard” way of taking shots.
You see, it makes no difference whether you have an SLR with
multiple lens choices, or just a humble point and shooter with a fixed lens, we
eventually get into a “habit” while taking photographs. Habits include the lens
you stick on the front of the camera. I will wager that you have a favorite lens
that stays on the camera body, and the others are only used when you cannot get
the subject in the frame and have to use an alternative. And habits certainly do
die hard, even if it is just always taking shots in the horizontal (landscape)
format. Got you! Haven’t I?
What I am suggesting this weekend, is to devote one afternoon
to some new or different ways of doing things. Many times it is impossible to
predict what the final result may be. You may have discovered a radical new
approach, a highly individualistic way of presentation. The end result may not
be to everyone’s taste (like my idea about Bill Brand’s work), but you will
never know till you try. And what is one afternoon worth compared to the fun
(and fame and fortune, perhaps) that this weekend could produce for you.
To get you going, here are a few ideas you might like to
explore. The first I will call the child’s eye view. Our viewpoint is generally
around 1.7 meters from the ground. That’s where our eye level is and that is the
viewpoint we use in 99 percent of our pictures. Now imagine you are a three year
old child. Your viewpoint on life is very much closer to the ground. You spend
more time looking up at the world. It would certainly be worth re-viewing some
items from this very low viewpoint. OK, I know you will end up looking up
people’s noses - but it just might work. You won’t know till you try.
The opposite end of the spectrum is the “Bird’s eye” view.
This takes some more thought and planning - and sometimes a step ladder as well,
but again you will get different shots. Ever noticed how many rock bands have
photographs taken from above, with the members of the group looking up at the
camera? It is because you end up getting a very powerful shot - and a different,
memorable shot. Try standing on walls, on top of cars, or the aforementioned
step ladder. Just don’t fall off! It is actually quite easy to become unbalanced
looking through the viewfinder when up high.
For those who do have choices of lenses, or do have zoom
facility in the point and shooter, you can try using the two extremes that you
have, even though you may think that the lens choice is unsuitable for what you
are photographing. After all, remember Bill Brand! It is even worthwhile taking
the same subject matter with both of the two opposite extremes - wide angle and
telephoto.
Even going back to the ‘landscape’ (horizontal) and ‘portrait
(vertical) views, try taking a traditional landscape shot in the vertical
format. It will make you see how much sky there is, and how much you want to
contrast that with land. Likewise, a horizontal portrait is different.
Try another viewpoint this weekend and you might be amazed.
