by Mott the Dog
re-mastered By Ella Crew
2 Stars **
For three years, from 1970 to 1973, Glam-Rock rode the
crest of a wave in the British Charts, and first out of the traps, and top
of the ladder throughout these years was Marc Bolan. With his corkscrew
hair, elfin looks, and colorful glam rags, he was every teenage girl’s
dream. He was leading his Electric Warriors to two #1 albums, four #1
singles, and eight other top five singles, including two tours of America,
one of Asia, and continuous touring in Europe.
Everywhere, the whole band was greeted on stage by
mania from a barrage of young girls not seen (or heard) since the days of
Liverpool’s Fab Four. All concerts were sellouts, and a series of dates
at London’s Wembley Arena were being filmed as the movie ‘Born to
Boogie’, directed by none other than Ringo Starr. It’s quite strange
to see Ringo standing there in the midst of all these screaming females
without one of them recognizing him. It was only eight years earlier that
he had been the object of their desire.
Glam Rock came in many different shades, the pre-packed
article being one. The Chinn/Chapman writing partnership looked after at
least four of the most successful acts. Sweet, with ‘Blockbuster’ and
‘Ballroom Blitz’, Mud with ‘Tiger Feet’ and ‘Lonely this
Christmas’, Suzi Quatro (one for the boys) with ‘Can the Can’ and
‘Devil Gate Drive’. Smokie with ‘Living Next Door To Alice’ (yes,
the original version of that other version of ‘Alice’) and ‘I’ll
Meet You at Midnight’. To keep all these bands going they must have been
turning out a song a day.
Then there were the bands that wrote their own songs.
T. Rex with ‘Hot Love’, and ‘Ride a White Swan’, Slade with ‘Coz
I Luv You’ and ‘Mama We’re All Crazee Now’ (all of Slade’s songs
were deliberately misspelt - well I think it was deliberate), Wizzard with
‘Ballpark Incident’ and ‘See My Baby Jive’, or Cockney Rebel with
‘Judy Teen’ and ‘Come Up And See Me Sometime’.
Some major rock bands used the Glam Rock scene as a
kick start to their careers, like Mott the Hoople, who got their first big
break in 1972, with the David Bowie penned ‘All The Young Dudes’ after
which they wrote a couple of Glam Rock classics themselves, ‘Roll Away
The Stone’, and ‘All The Way From Memphis’. So without Glam Rock I
may well have been called ‘Spot’, ‘Rover’, or something just as
common.
Unfortunately for most of the bands not in the last
category, it was very hard to forge out a long lasting career. Because,
although they were all able to keep up the string of hit singles for Glam
Rock’s three year duration, none of them were able to come up with whole
albums that matched the glories.
Not really surprising for the Chinn/Chapman bands. I
mean, how could the songwriters keep coming up with singles for them all,
let alone album tracks?
Sadly, such was the case with Marc Bolan and his band
T. Rex. Although the singles were all ‘Solid Gold, Easy Action’, on
his albums, you got an awful lot of swine before you got the pearls. The
album in question, ‘Electric Warrior’, was when Bolan was at the
height of his popularity, being preceded by two #1 singles in ‘Hot
Love’ and ‘Get It On’. The latter of which is included in this set.
It was his breakthrough song in the United States of America, but
re-titled ‘Bang a Gong’.
‘Electric Warrior’ was released in September 1971
going straight into the #1 slot, followed by another single in November,
‘Jeepster’, which still got to #2 despite the Christmas rush. The
album, I fear, sold so well because at the time any magazine that had Marc
Bolan on the cover would have sold in its millions, and such was the case
with ‘Electric Warrior’. It became a must have item for all of the
band’s fans, regardless of what it sounded like.
What you actually get is eleven tracks, two of which
are classics. The singles; ‘Jeepster’ absolutely cooks in its final
passage, and ‘Get It On’ (Bang A Gong) is simply stunning in a
timeless way, with its Chuck Berry riff, refrain, and infectious toe
tapping rhythm. Unfortunately Bolan’s sigh as the song fades out,
‘Meanwhile I was there thinking’, is the last bit of genius on the
album.
All the other songs are embarrassingly repetitive, just
going over the same old formula, with varying degrees of glitter sprinkled
over them, but never coming near to the standard of the singles.
Bolan’s long time producer Tony Visconti has released
the 30th anniversary addition of this album with some fine sleeve notes.
There are also an added eight tracks, which were either works in progress,
or demos never meant to be released for public viewing - and on hearing
them, they never should have.
This was no way the end for Marc Bolan and the Boys, as
the singles kept coming, interspersed over several albums. However, by
1974 it was all over bar the shouting. After the band split up in much
rancor at the end of the year, Bolan faded from the scene.
Before his tragic death in 1977 he was reduced to doing
his own T.V. show, but by then Punk Rock was rearing its ugly head.
If you are a fan of Marc Bolan and T. Rex I suggest
either ‘The Essential Marc Bolan and T. Rex’ CD, which collects all
the hit singles together, or the double CD called ‘The Best Glam Rock
Album in the World ... Ever’, which has most of the songs by the bands
mentioned in this column, and more. Both of these are Five Star efforts.
For those of you who look back on the days of your
youth wistfully, remembering 28'’ bell bottom trousers, tiny tank tops,
staggering around on your 8” platform boots, with glitter in your hair
(these are the guys I am talking about), there will be a display of early
seventies foolery by those old Glammers from Bangkok, ‘Mott The
Bastard’, who will be playing most of these songs from memory at
Shenanigans The Irish Pub. Hopefully the band will totter on stage at
about 10.30 p.m. on Friday 13th June. Lucky for some, but not if ‘El
Diablo’, ‘The Root of All Evil’, and ‘Sandilands’, on his bike,
in a wig and make up, have anything to do with it. Can you dig it?
Musicians
Marc Bolan - Guitars and Vocals
Micky Finn - Percussion, Vocals
Steve Currie - Bass
Bill Legend - Drums
Songs
Mambo Sun
Cosmic Dancer
Jeepster
Monolith
Lean Woman Blues
Get It On
Planet Queen
Girl
The Motivator
Life’s A Gas
Rip Off
Plus Eight Demos
To contact Mott the Dog email: [email protected]