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Bookazine Book Review: Nostradamus Prophecies for America

by Lang Reid

The September 11th terrorist attacks on America will be remembered as one of the most significant events of the new millennium. Since then, many authors have been studiously writing, examining the post traumatic events and how these have changed to future of the world etc etc etc. This book, Nostradamus Prophecies for America by David Ovason, has gone the other way, claiming that our old friend Nostradamus specifically predicted the terrorist attack in his writings. Should we have known it was coming?

Ovason, according to the back cover blurb, is the foremost expert on the prophecies of Nostradamus and following September 11 has re-examined the writings of the 16th Century Frenchman. Not only did the famous clairvoyant predict the World Trade Center disaster, but he also prophesised the Declaration of Independence, the founding of St. Louis and the Apollo Space programme, amongst other uniquely American happenings. All this was done in 1555, when the world was still awaiting the founding of America.

Now, one of the problems with Nostradamus, who by the way did not write in English, but in Latin, French and Greek, is that according to Ovason, “Nostradamus had ensured that no one would be able to understand a single one of his quatrains before that prophecy had unfolded.” This is, to my non-seer mind, trying to fit “predictions” to past events, or claiming 20/20 vision in hindsight.

Author Ovason spends much time and effort defending the way Nostradamus wrote his quatrains, which appear to me to be 16th century poetic versions of cryptic crosswords. The fact that I am not well versed (dreadful pun) in the art of the cryptographer is probably the reason I baulked at the reasoning that the two words in one line “esparse sautera” will give “esPARSE Sautera”, which in turn reveals “Parses” which might mean Persia, but really means Gedrosia writes Ovason, a country which included Persia and the kingdom of “Cabul” which brings us to Afghanistan. Whew!

Even the first line that is “Cinq & quarante degres ciel bruslera” and translated as “Five and forty degrees the sky will burn” requires more than a modicum of faith to make the quantum leap to become “Five (terrorists) and (at) 40 degrees the sky will burn. The “terrorists” sneak in because in the 4th line the word “normas” is used, which we are told is now written as “Normans”, which in turn literally means men from the north and referred to then as pirates and pirates are terrorists! Help!

The review copy came from Bookazine’s new outlet in the Royal Garden Plaza, (1st floor, next to Black Canyon and Boots) and retails for 275 baht. To say I remain a sceptic is not putting too fine an interpretation on it. I tried very hard to be convinced, after all, Nostradamus has lasted a lot longer than Lang Reid, but I turned the final page still unconvinced. Perhaps it needed a little faith, an accomplishment I have little of. However, it is a cheap read and a good conversational topic, but I doubt that I would want it on my bookshelves.

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Movie Review: Behind Enemy Lines

By Poppy

Owen Wilson plays Lt. Chris Burnett, a Navy flight navigator who has become disillusioned with the Navy and is contemplating resigning his commission. Gene Hackman plays Admiral Leslie McMahon Reigart, an admiral who is the battle group commander for USS Carl Vinson.

While flying a routine reconnaissance mission, Burnett and his pilot Gabriel Macht (Lt. Jeremy Stackhouse) see something they’re not supposed to see and do something they’re not supposed to do (as something like this would probably get you court-martialed). As a result, the enemy (in this case an Eastern European rebel group), shoot them down with a surface-to-air missile. The flying scene where their plane is being chased by the SAM is intense, riveting and heart-stopping and probably one of the best in the movie. They eject and find themselves deep inside enemy territory, struggling to survive. Once on the ground, it becomes a game of cat and mouse between them and two rebels who want to make sure the Americans are dead.

Meanwhile, back on the aircraft carrier the control room has lost radio contact and realize something is wrong. Hackman wants to send in a rescue team, for political reasons his efforts are stopped and a foreign embarked admiral makes it clear that no rescue will take place.

Directed by John Moore (XVI)

Cast overview:

Owen Wilson ... Lt. Chris Burnett
Gene Hackman ... Admiral Leslie McMahon Reigart
Joaquim de Almeida ... Admiral Juan Miguel Piquet
David Keith ... Master Chief Tom O’Malley
Olek Krupa ... Miroslav Lokar
Gabriel Macht ... Lt. Jeremy Stackhouse
Charles Malik Whitfield ... Sgt. Rodway
Vladimir Mashkov ... Tracker
Marko Igonda
Eyal Podell ... Petty Officer Kennedy
Elizabeth P. Perry

rest of cast listed alphabetically:

Jared Chandler ... Piquet’s Aide
Travis Fine
Shane Johnson (I)
Bumper Robinson
Don Winston

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Mott’s CD review:

John Mayall - Blues From Laurel Canyon

by Mott the Dog

**** 4 Stars Rating

This fine collection of songs could well have been subtitled, “Thoughts of an English Gentleman on holiday in America”, as this album is the story of John Mayall’s 3 week vacation in Los Angeles, written between the break up of his ambitious large entourage of the Blues Breakers which had just recently released “Bare Wires” (most of whom went off to form the wonderful Colloseum) & this solo effort.

One of the most amazing things about this album is that the whole thing was recorded in 3 days, between 26th & 28th August 1968 at Decca’s London studios. The band had been together only 2 weeks, but sound as if they’d been playing for years. Only Mick Taylor remained from the previous line-up, making him a veteran by Mayall’s standards. His previous two guitarists’ having lasted an album each (Eric Clapton for “Blues Breakers” leaving to form Cream & Peter Green for “Hard Road” leaving to form Fleetwood Mac). After this album Colin Allen would move on to rattle the traps with Scottish Rockers “Stone the Crow’s”, whilst of course the Glimmer twins would come in to smuggle away Mick Taylor for the Rolling Stones, leaving Mayall in his perpetual quest for new & inspiring musicians.

The songs are laid out in chronological order from arrival to departure, and the result of their labours has brought forth some wonderful fruit. Mick Taylor was never to better his licks here; the introduction to “The Bear” (Mayall’s take of his exploits on the town in Los Angeles with American Bluesters Canned Heat) is worth the price of the album on its own. Also, the soloing from both the guitarist and Mayall himself on the closing jam of “Fly Tomorrow” should stand as a monument of how to lay bare your soul for the rest of time. Peter Green makes a guest appearance on the atmospheric “First Time Alone”, add Mayall’s trademark mouth harp and the standard of musicianship is very high indeed. The lyrics by the nature of the songs are very self indulgent, but then you can’t have everything, and lets face it, you can only write about what you know.

For those not familiar with the works of Mr. Mayall this is a good entry point, but be prepared for a bumpy side, as his style changes dramatically over the years.

Out of interest a few other musicians who at sometime were in John Mayall’s Blue Breakers reads like a who’s who of the British Blues boom, including Jack Bruce, John McVie, Mick Fleetwood, Jon Hiseman, Aynsley Dunbar, Hughie Flint, Coco Montoya, and of course to complete the Cream connection for one gig Ginger Baker.

Musicians

John Mayall - Vocals, Keyboards, & Mouth Organ
Mick Taylor - Pre Rolling Stones Blues Guitar
Stephen Thompson - Bass
Colin Allen - Drums

Track Listing

1. Vacation
2. Walking On Sunset
3. Laurel Canyon Home
4. 2401
5. Ready To Ride
6. Medicine Man
7. Somebody’s Acting Like A Child
8. The Bear
9. Miss James
10. First Time Alone
11. Long Gone Midnight
12. Fly Tomorrow

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