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BOOKS - MOVIES - MUSIC

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Book Review

Mott's CD review

Movie Review

Book Review: Jasmine Nights

by Lang Reid

This is the second reprint of this book from author Somtow Sucharitkul (pen name S.P. Somtow) and is semi-autobiographical. Somtow is better known to some members of the arts community as a composer, who wrote the first opera premiered by a Thai musician. This was commissioned in 1999 and was inspired by a play written by King Rama VI for his wife Queen Indrasaksachi, who was also the author’s great-aunt. Somtow has also been given the accolade of being described as the J.D. Salinger (Catcher in the Rye) of Siam, but more on that later.

The story involves a very sensitive 12 year old boy, called Little Frog, who calls himself Justin, going through the pangs of puberty. He has a pet chameleon called Homer who is killed very early in the book. When asked why he was crying, he replied, “Homer is dead.” The response from his great grandmother is, “My, my, what a refined sensibility you have my dear. But don’t you think three thousand years is a long time to be in mourning?” The use of the contra-point for the innate humour it produces is quite central to Somtow’s writing. Take the following, for example - referring to his nanny, “On such occasions she mutters to herself in a dialect I cannot understand. Perhaps it is because she has left her teeth behind.” Or about his aunt, “On the other hand I am not at all worried about Aunt Ning-Nong. Dr Richardson says she’ll survive, and I trust him implicitly - as much as one could ever trust a man wearing a bra about his buttocks.” You will have to read the book to find out why Dr. Richardson was attired thus!

Being Thai, Somtow has perhaps, to the farang reader, a unique way of looking at life, and this becomes reflected in the metaphors and language used. “The silence is so profound one could have heard a cockroach farting.”

Somtow (as Justin) takes the reader through this brief period in his life with mateship, boyish fights, male bravado, sexual voyeurism and the impossible sexual restraints we drum into young men, at total odds against their unbridled flashes of testosterone induced behaviour. During a juvenile play act at seduction he asks, “What is this game called?” “It’s called sex,” says his friend in mantra-like tones.

The review copy came from Bookazine, corner of Beach Road and Soi Pattayaland 1, and is priced at 450 baht. I must agree with George Axelrod’s description of S.P. Somtow as being the J.D. Salinger of Siam. The first person monologue being very similar to Salinger’s ‘hero’ in “Catcher in the Rye” but that could be extended to be that of “The Diary of Adrian Mole aged Thirteen and three quarters” or even Keith Waterhouse’s immature hero in “Billy Liar”. That interesting period in every young man’s life as sexual maturity dawns being bitter-sweet memories for all males. That much can be made out of it to become literary masterpieces is not surprising. Jasmine Nights is very Thai, is very funny and deserves being on your bookshelf.

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Mott’s CD review:

Jimi Hendrix Experience - Are You Experienced

by Mott the Dog

***** 5 Star Rating

When Chas Chandler (at the time bass player with the Animals) invited guitar slinger for hire Jimi Hendrix over to London to try his hand as a solo artist, nobody knew the reverberations this would send richocheting round the Rock ‘n’ Roll Universe.

Signing up Mitch Mitchel, a talented Jazz drummer, and Noel Redding, an aspiring lead guitarist persuaded to play bass by Chandler, they were ready to shred wallpaper from 100 yards. Their impact was immediate and devastating. Peter Townshend of the Who nearly quit the music industry, Eric Clapton gave up guitar solos for years almost becoming a recluse, such was the feeling of inadequacy amongst Hendrix’s fellow musicians. Why Hendrix bothered with lighter fuel to set his guitar alight when all he had to do was look at it to make it burst into flame. Hendrix turned everything upside down including his guitar.

After warning the world of what was afoot with an earth shattering performance on the B.B.C.’s Lulu show, Jimi Hendrix announced himself to the recording world with a cover of “Hey Joe” which shot to number 4 in the singles charts in February 1967. After signing with the Who’s Track Records, Hendrix suddenly started writing the most incredibly sonic songs as if snatching them out the sky. “Hey Joe” was quickly followed by the self penned “Purple Haze” (played at every single Hendrix concert up till his untimely death) & “The Wind Cries Mary”, both monster smash hits.

Then came the most influential debut album of all time. Every track is a blast of supersonic histrionics, mostly done in one take, the music is a revelation to your ears (Hendrix himself was a revelation to the eyes). “Are You Experienced” was only kept off the number one spot in the States & Britain by “The Beatles” with “Sergeant Pepper”.

It’s not heavy rock, it’s not blues; it’s the Jimi Hendrix Experience. The only thing that unifies all the songs together are their uniqueness & twenty second century guitar playing.

“Foxy Lady” is this Dog’s favorite, which Jimi explained by saying, “I get my songs from everyday things, and girls, girls can misunderstand you so much, they really can. But it’s nice to have them around,” and while cats were looking for meaning to the song “Fire”. The bass players mother explained, “Jimi asked me if he could stand next to the fire,” and from this genius was born. “Third Stone From The Sun” came from his addiction to the T.V series Star Trek, not some extra terrestrial visit.

The music, though, just never lets up with Mitch’s hi-hat taps & cymbal rides vying with Noel’s rapidly rotating bass lines, whilst all the time Jimi scatters sonic angel dust all over the strings.

Motts only growl about the whole album is Hendrix’s stunning take on the blues in “Red House” - it is not long enough at just over three minutes to get into. Try the Stella live version clocking in at over 12 minutes from the live, “Hendrix In The West” to have your jaw dropping to the floor.

Although his star was to burn a short & bright trail, “Are You Experienced” is only the beginning. An essential addition to any serious music collection.

“Excuse Me While I Kiss The Sky”

Jimi Hendrix - Guitar
Noel Redding - Bass
Mitch Mitchel - Drums
Hendrix didn’t need anybody else

Tracks Listings.

1. Foxy Lady
2. Manic Depression
3. Red House
4. Can You See Me
5. Love Or Confusion
6. I Don’t Live Today
7. Many This Be Love
8. Fire
9. Third Stone From The Sun
10. Remember
11. Are You Experienced?

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Movie Review: Russian Doll

By Poppy

Harvey (Hugo Weaving), a self-doubting private investigator, plans to marry his girlfriend; he believes he may have at last found true love in Alison (Helen Dallimore). Then, while he has a client’s husband under surveillance, he discovers the guy is cheating with Alison his own girlfriend. This drives Harvey to drink and deep depression.

He has always looked on his best friend’s marriage enviously. Ethan (David Wenham) and Miriam (Rebecca Frith) are observant Jews who to Harvey’s eyes have the perfect marriage. But Ethan has a secret. He’s having an affair with Katia (Natalia Novikova), a recently arrived Russian who came to Australia as a mail-order bride with dreams of a big Jewish wedding - but found her husband dead. Ethan met Katia and fell in love but she cannot stay in the country without being married, so Ethan comes up with a solution.

He suggests a “marriage of convenience” to Harvey. Harvey is appalled by the idea. Ethan’s marriage had been his only example that love can faithfully exist. However, since he needs the money to get started on the book he wants to write, he reluctantly agrees to let Katia move in. But soon this “marriage of convenience” is anything but, as Miriam learns about the upcoming nuptials and is so pleased that her husband’s best friend has finally found someone, she insists on turning the wedding into a grand affair. Inevitably, Ethan and Harvey’s friendship is tested and hidden emotions are revealed between Harvey and Katia.

Although this theme was explored not far back in Peter Weir’s film “Green Card” with Gerard Depardieu, it’s still fun to go through the motions again. The outcome of the story is never really in doubt, but the enjoyment comes from how you get there. A real romantic comedy.

Director: Stavros Kazantzidis

Writer: Stavros Kazantzidis, Allanah Zitserman

Cast: Hugo Weaving, David Wenham, Rebecca Frith, Sacha Horler, Helen Dallimore, Natalia Novikova

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