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Book Review: The Dust of Life

by Lang Reid

America’s children abandoned in Vietnam

This book was published in 1998 and is a collection of personal and often tragic stories told by children left behind in Vietnam, following a liaison between their American fathers and their Vietnamese mothers. Children of mixed marriages are always set apart, even in the more “enlightened” cultures; however, children who are considered to be the product of a union between an enemy and a collaborator are always destined for repression.

The author is Professor Robert McKelvey, a specialist psychiatrist dealing with child and adolescent problems, and a man who had also seen action himself in Vietnam during the Vietnam War.

He begins chapter 1 with the strong statement, “Vietnamese Amerasians are a living legacy of America’s longest and least popular war.” Having set the ground rules, McKelvey goes on to state that it was not until 1987 that an act of Congress was passed, called the Amerasian Homecoming Act, to assist these Amerasian children to come to America. That was 12 years after the North Vietnamese had taken control of South Vietnam. A 12 year hiatus in hell for some of these children and young adults.

That the “system” can be unfeeling comes as no shock. It took many of the Amerasians years to get through the process of being accepted to go to the United States, and many were rejected, only to re-apply and live at the Transit Centre for many years while hoping that they would finally be accepted to go to a country they did not know, but felt that it had to be better than the Vietnam which they did know.

Unfortunately, bribery and greed were also present in these situations, with many Vietnamese families claiming to be part of the family of an Amerasian, hoping to gain access to what was known as a “golden passport” out of post war Vietnam. The unfortunate Amerasians were usually so repressed and poorly educated that they just went along with what their “adoptive” family told them.

Author McKelvey carried out his interviews with Amerasians in Vietnam, and with those who had successfully made the trip to America. For many of these people, even the most menial and underpaid job in America was so much better than the life they had as labourers for hire in the paddy fields, that it is no wonder they have done well in adoptive countries such as America.

Available at Bookazine, corner of Beach Road and Soi Pattayaland 1 for 495 baht, this is a disturbing book that demonstrates, “the neglect of the human by-products of war, the destructiveness of prejudice and racism, the impact of losing one’s mother and father, the pain of abandonment, and the horrors of life amidst grinding poverty.” Thank your personal God if you have not had to suffer these pains and make sure you and your children read and understand before we, the human race, do it all again. The title “Dust of Life” comes from the Vietnamese “bui doi” which means the poorest of the poor. How true!

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Mott’s CD review:

Savoy Brown - Boogie Brothers

by Mott the Dog

***** 5 Stars Rating

“Boogie”, what a wonderful word, I mean it just reeks of debauchery, late nights, and partying. Boogie: just try and say it quietly, it just can’t be done. Boogie is just a loud word, & normally proceeded by “Lets” it’s been screamed from every Rock ‘n’ Roll stage in the world. Well perhaps not the ones occupied by “West Life” but then we were talking about Rock ‘n’ Roll anyway.

In 1973 Kim Simmonds once again found himself in the position of his band Savoy Brown, being a one man band, him, after the others had jumped ship after an American tour promoting their last album “Lions Share”.

Fortunately help was near at hand, as a support band for the last line-up tour had been a hastily put together outfit called “Hemlock” fronted by Glaswegan looner Miller Anderson (formerly of the Keef Hartley band) with a rhythm section of Jimmy Leverton & Eric Dillon (both ex Noel Redding’s “Fat Mattress”). They were quickly coerced into Savoy Brown & rehearsals proceeded at pace.

Twiddling his guitar, meanwhile, in London was Stan Webb, erstwhile leader of British Bluesters “Chicken Shack” who had recently gone the same way as the previous line up of Savoy Brown. Eyebrows were raised, thoughts were thought, and an invitation was issued for Mr. Webb to bring his guitar to the party, and the ultimate triple guitar British Super Boogie band was born under the moniker of Savoy Brown.

Signed to Decca they wasted no time is getting the contents of their proposed long player down on tape. The ever prolific Miller Anderson penning most of the numbers, with one from Stan, a brace from Kim, and a marvelous tilt at the old chestnut “You Don’t Love Me” by Elias McDoniel - A.K.A. Bo Diddley.

Democratically, the guitar playing is shared out through all the songs, with perhaps special mention for Kim’s slide playing, Stan’s pickin, and Miller’s harmony play, but it’s when hats are thrown to the wind & everybody has a dip that the album really works. It’s the two extended songs at the end of the album that especially cook, the title cut & the aptly titled “Rock ‘n’ Roll Star”.

But how can anybody possibly dislike a collection of songs when one is called “Everybody Loves a Drinking Man”? Not I for sure.

“Threegy Blues” is a live studio take of three of the biggest British blues boom guitar players all living out their dreams of being Hank Marvin, tennis rackets in front of the mirror anybody.

So much talent could not be contained in one band & in a year they all went their own way again, leaving Kim Simmonds to pick up the pieces of Savoy Brown & carry on with new Savoyians in line up number 83; or was it 84, who cares; in the words of Spinal Tap, turn it up to 11 & Lets Booooogie.

Kim Simmonds - lead guitar
Stan Webb - lead guitar & vocals
Miller Anderson - lead guitar & vocals
Jimmy Leverton - bass
Eric Dillon - drums

Track Listing

1. Highway Blues
2. Me And The Preacher
3. My Love’s Lying Down
4. You Don’t Love Me (You Don’t Care)
5. Always The Same
6. Everybody Loves A Drinking Man
7. Rock ‘n’ Roll Star
8. Boogie Brothers
9. Threegy Blues

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Movie Review: Angel Eyes

By Poppy

Sharon Pogue (Jennifer Lopez) is a Chicago police officer that must have missed a few too many anger management classes. Her rough and tumble style is just one indication of the presence of some unresolved issues in her personal life, not the least of which is her growing alienation from her own family. It turns out officer Lopez’s father is a wife-beater and this has transformed his daughter into an angry shell of a woman unable to properly communicate her feelings.

While in pursuit of a criminal, she is heroically saved by a bystander who calls himself Catch (Jim Caviezel). Catch is an emotionless, lost soul wandering the streets and helping out strangers while looking for a clean razor and dry cleaner for his dirty overcoat! Catch is a man with a secret, clearly needing to be saved, and Sharon, in turn, seems to find in Catch the antithesis of her father.

After their encounter, a very slow moving and strange courtship evolves between them, as they gingerly reach out to one another while purposely avoiding those areas too painful to visit. As the relationship develops, the desire to know more about each other’s past becomes greater than the need to forget their own.

All of the emotional buttons - anger, fear, loneliness, sadness, forgiveness, and acceptance - are pressed during all the right moments. Angel Eyes tells a simple story of two broken hearts who connect with one another and help each other heal or deal with the pain of past losses. Take a box of tissues.

Directed by Luis Mandoki

Cast (in credits order):

Jennifer Lopez ... Sharon Pogue
James Caviezel ... Catch Lambert
Sonia Braga ... Mrs. Pogue
Terrence Dashon Howard ... Robby
Alfonso Arau
Victor Argo ... Mr. Pogue
J.J. Evans
Shirley Knight ... Elanora Davis
Daniel Magder ... Larry Jr.
Monet Mazur
Jeremy Sisto ... Larry

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