Los Angeles (AP) — Long before he wrote and recorded the Jefferson Airplane classic “Embryonic Journey,” Jorma Kaukonen was on a decades-long journey of discovery of his own.
From shy, sometimes bullied upper-class son of a globe-trotting U.S. diplomat in post-colonial Pakistan, Kaukonen would evolve into a hard-drinking, hell-raising teenager racing his motorcycle through the streets of the Philippines in the mid-1950s.
Then it was on to a Jesuit university to study Aristotelian logic and other lofty subjects when not playing lead guitar for the Jefferson Airplane, a band he co-founded with Marty Balin, Jack Casady and others and that helped bring psychedelic sounds to the forefront of music.
Oh, and in his spare time Kaukonen would co-found another iconic band, Hot Tuna, which is still recording and touring 48 years later.
“It’s really funny, it’s hard to rate one’s own life” the 77-year-old guitarist says, smiling broadly as he reflects on how an embassy brat turned intellectual academic seemed to morph so easily into a rock star in 1967’s Summer of Love in San Francisco.
“But all things considered, I have had a pretty interesting life,” adds the friendly self-effacing Kaukonen as he relaxes in a deserted VIP section of Hollywood’s El Rey Theatre hours before taking the stage for that night’s sold-out Hot Tuna show.
He lays out much of that life in the just-published memoir “Been So Long: My Life & Music” (St. Martin’s Press). A quick, engaging read at 288 pages, his prose is followed by the lyrics to dozens of songs he’s composed over the past 50 years as well as a five-song CD tucked in between the final two pages.
It’s a book that’s been generally well received, although Kaukonen acknowledges some have complained it doesn’t contain enough Jefferson Airplane photos or anecdotes along the lines of, “What’s Grace Slick really like?”
Slick, one of the band’s principal vocalists, wrote the book’s forward, which somewhat answers that question. But raising it seems to annoy Kaukonen slightly.
“The Airplane is a huge part of my life. I don’t trivialize it on any level. But it was A PART of my life and it has to fit into the scheme of things,” he says emphatically.
What “Been So Long” clearly describes is a love affair with the guitar that began when a 14-year-old persuaded his father, Jorma Sr., to buy him a Gibson Sunburst J-45 acoustic and then pretty much never put it down.
Eventually he would start writing songs, and although Kaukonen maintains he’s not a prolific musician his body of work would argue otherwise: Six classic Jefferson Airplane albums in the 1960s and early ’70s followed by nearly two dozen Hot Tuna albums and more than a dozen solo projects.
“It’s kind of like learning the guitar,” he says when pressed on the dichotomy. “You start out learning how to play and maybe you get a song or two and you get to do an open mike. And then pretty soon you have enough for a set, and if you keep adding you have a show. And if you live long enough you have a body of work.”
By the time Jefferson Airplane’s breakthrough album, “Surrealistic Pillow,” was released in 1967 Kaukonen had earned his degree in sociology from Santa Clara University and his finger-picking style was now creating electric-guitar sounds pretty much unheard of in rock music.
The album was anchored by soaring vocals from Slick and Balin, Kaukonen’s transcendent guitar passages and Casady’s thundering bass lines on songs like “White Rabbit” and “Somebody to Love.” And, in the middle, was a brief but achingly beautiful acoustic-guitar instrumental called “Embryonic Journey.”
“I thought he was out of his mind,” Kaukonen says of his reaction when record producer Rick Jarrard heard him playing it during a break and insisted it go on the album. It remains a fan favorite to this day, and Kaukonen adds, “I owe him a big debt of gratitude.”
By 1970 he and Casady, a friend since childhood, had begun to tire of the Airplane’s more rigid musical structure and formed Hot Tuna, an ever-changing ensemble dedicated to a range of music from blues to jazz to Americana.
“One of the things people occasionally ask me is if I think about retiring, and my sort of off-the-cuff answer is, ‘Why,” Kaukonen jokes.
“The reality of the situation is that I still really love playing for an audience. And for me to keep my playing at a level that pleases me, I need to perform.”