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Book Review: Heritage 1

by Lang Reid

This week’s review is of a book written and published in Chiang Mai. Heritage 1 (ISBN 974-85444-7-8) is the first book of a two part series written by Chiang Mai resident Kev (Ric) Richardson about the days of hardship in Australia after the arrival of the first fleet, the new forced settlers in the country. These people were very much the flotsam and jetsam of British society, sent as convicts serving prison terms such as 7 years in the penal colony for heinous crimes as filching a loaf of bread in London.

It begins in 1788, with the parallel stories of the captors looking at how to make a settlement in this strange land called Australia, and the stories of the convicts looking at how they could survive in the strange land called Australia.

Richardson has a vested interest in early Australian history, being himself a sixth generation descendant from the infamous first fleet. He is a past president of the First Fleet Fellowship and a past secretary of the Descendents of Convicts Association. If one looks hard enough perhaps there are still shackle marks around his ankles!

To write even a fictional historical novel is difficult in many ways. One is the sheer volume of research work that is necessary to avoid giant bloopers in the time-line. Author Richardson has six pages of references at the end of the book for his 14 chapters which span the 50-year period, to keep the narrative on track as far as real history is concerned.

The other difficulty in writing about times long gone is how to report the speech used in those days. I believe that Richardson has done an excellent job in this regard. The quoted words are ‘quaint’ enough to fit into the period, yet their use does not seem false or forced, which might take away from the context of the book.

The book purports to follow the lives of convict families, showing how they inter-marry and how the lack of choice in the very early days provided ‘mates’ which may or may not have been very good for each other, yet that spirit of ‘mate-ship’ has been what has helped make Australian society the way it is today.

Richardson shows very poignantly where the Australian ‘free spirit’ and attitudes to authority stem from. The back cover’s annotation that “today’s Australian was born not of British freedom but of British oppression” would appear to be correct. Ritual flogging of people driven to steal by desperation, itself caused by the ineptitude of the governing classes, shows a mind-set that one finds repugnant today. But that is what Richardson’s forebears came through. And only the strong survived.

As a reflection, or glimpse into the times of just over 200 years ago, it is a fine historical record. As a novel, set in those times it is entirely believable. I enjoyed this book immensely.

The review copy was made available directly from author Richardson, and the book(s) should be available through the major booksellers. The RRP is B. 395. This should be compulsory reading for all Australians.


Movie Review: Charlie’s Angels: Full Throttle

By Poppy

Yet another sequel and one I really was not too interested in viewing not being particularly impressed with the first one.

I suppose the benefit of several very beautiful women decked out in various forms of sexy gear is interesting for some percentage of the audience. These beauties spend their time exchanging infantile jokes suitable for the playground.

The main story deals with recovering two coded rings encrypted with the names of all the people in the government’s witness protection program.

No great demands are made on Angels, Cameron Diaz as Natalie Cook, Drew Barrymore as Dylan Sanders, and Lucy Liu as Alex Munday, except to keep their hair in place through various chases, brawls and explosions that would hospitalize lesser mortals for months.

The principal villain is Demi Moore in her first film for several years. Looking lean and sculptured and absolutely gorgeous, she plays fallen Angel Madison Lee who also seeks the two rings which, when put together through a computer, will reveal the names on the witness protection program. This information she can then sell to a vindictive band of Mafiosi from Japan, Italy and Latin America. Needless to say the Angels have to stop her from achieving her goal.

Bernie Mac, taking over as Bosley from Bill Murray, offers some laughs.

This movie lived down to my expectations.

Directed by Joseph ‘McG’ McGinty Nichol

Cast:

Cameron Diaz ... Natalie Cook

Drew Barrymore ... Dylan Sanders

Lucy Liu ... Alex Munday

Demi Moore ... Madison Lee

Bernie Mac ... Bosley’s Brother

Luke Wilson ... Pete

Matt LeBlanc ... Jason Gibbons

Cyia Batten ... Pussycat Doll

Joan M. Blair ... Beach Lady With Sandcastle

Russell Bobbitt ... Hispanic Doorman

John Cleese ... Alex’s Father

Tommy Flanagan (I)

John Forsythe (I) ... Charles Townsend (voice)

Mark Gantt

Crispin Glover ... The Thin Man

Shia LaBeouf ... Max

Will Leong ... Mongolian Fighter #4

Luke Massy ... Irish Henchman #4

Ashley Olsen ... Herself

Mary-Kate Olsen ... Herself


Mott’s CD review: 

Tangerine Dream - Force Majeure

by Mott the Dog 
re-mastered By Ella Crew

5 Stars *****

All of you who like “New Age Music”, “Electronic Music”, “World Music’’, or even “Techno” owe a huge debt of gratitude to this German rock band, who along with their fellow countrymen ‘Kraftwerk’ pioneered a whole new age of musical genres.

Originally a straight ahead Rock band the founding members of Tangerine Dream soon discovered the many amazing sounds they could get out of their instruments, and with the technology developing around them they were riding the crest of a new and exciting musical wave.

‘Force Majeure’ was their big breakthrough album in 1979, their thirteenth album altogether, and second for Richard Branson’s Virgin Record label. The Virgin team had already had enormous success by taking a chance and releasing Michael Oldfield’s ‘Tubular Bells’ to Platinum sales worldwide, after all the major labels would not touch it. So Virgin and Tangerine Dream made very suitable partners. The first album released on Virgin had been the controversial ‘Cyclone’ album, when the band had played more like a traditional rock band, including vocals, whilst forsaking some of the sweeping synthesizers and ambient sounds, much to the despair of their fans.

But it only made for a quick re-think and vocalist Steve Joliffe had left the band by the time they went back into the studio. The spacey Tangerine Dream sound was back, but better than ever, with even more adventurous effects and more structure to the songs. If songs is what you call these pieces of music. The shortest piece clocks in at seven minutes and twenty one seconds, while the opening title track is a massive eighteen and a half minutes. It opens the album in grand style, keyboards come sweeping in after the opening theme, building to a crashing climax with all instruments joining in one by one, layer upon layer, before settling down when the opening theme is reintroduced on acoustic guitar and the music takes of again at a more manageable pace.

A grand piano takes you off on one of Tangerine’s musical journeys into the unknown. Soon Edgar Froese’s electric guitar comes into duel with the piano before jumping off at a different tangent, before being brought back into the song by the piano, allowing the keyboards to make themselves heard. So at ten minutes along you are finally into the real meat of the music. As the music takes a second to pause at the eleven minute mark, a ghost train huffs and puffs its way across your speakers, taking you into a far more sinister area of the Tangerine Dream mind, where the sounds of the mellotron, VCS3, organ, e-piano, synthesizers, and flute leave you with a feeling of being watched, whilst in the dark the sounds, emanating from the band, whisk from speaker to speaker.

However, just before it gets too weird the keyboards come back in with the main theme of the song and before you know it, you are back in the musical sunshine, and all of the loose ends of the instruments tie together to bring the music to a gloriously satisfying conclusion.

‘Cloudburst Flight’, although the shortest piece in this collection, has the most infectious main riff with three minutes of pure genius from Edgar Foese on the six-string. He brings the song to a thundering finale with a guitar solo that has only ever been equalled by David Gilmour on the corresponding solo to the end of ‘Pink Floyd’s “Comfortably Numb”. (Have a listen - it really is that good.)

‘Thru Metamorphic Rock’ gives you an insight into the direction in which Tangerine Dream were going in the future. For over fourteen minutes you are hit by a repetitive beat played out on both acoustic and electronic drums, whilst all the time, like two musical wizards, Froese and Franke cast musical spells to drag you deeper into their web. As the rhythms drive into your mind in almost a hypnotic manor, it leaves you wanting more once it finishes.

There are now more than fifty Tangerine albums to choose from, and that is not counting the hoards of live albums and compilations. However, if you fancy a musical change or a step into another world, ‘Force Majeure’ is as good a place to start as any.

If on first listening any of the themes seem familiar, this is probably because all of them were used in the first movie to star Tom Cruise, ‘Risky Business’. The fantasy scene on the train being particularly memorable. This movie helped to push both Tom Cruise and Tangerine Dream from the second division into the major league.

These days there is still a band called Tangerine Dream with guitarist Edgar Froese at the helm, but these days with a much more guitar based sound. Gad Zooks! The last Tangerine Dream Live album even had a sonic version of Hendrix’s ‘Purple Haze’ on it. Meanwhile his old partner Chris Franke went on to have a very successful career as a solo artist, keeping the more traditional Tangerine Dream sound alive. Whichever way these two very talented artists are heading, they are well worth your attention.

Although all the music on ‘Force Majeure’ is quite magnificent, my one adverse comment would be that the whole thing clocks in at under forty minutes. In this day and age of CDs is this really value for money to pay? Could not the record label have found some out-takes, live recordings, or the pieces from the Risky Business Soundtrack, to have given the paying punter more value for his hard earned buck? But a minor quibble when the standard of what you get is so good. Perhaps it’s a case of “feel the quality not the width”.

Musicians

Edgar Froese - Guitar and Keyboards

Chris Franke - Guitar and Keyboards

with some help from Klaus Krieger on the Acoustic Drums and Edvard Meyer on the Cello.

Songs

Force Majeure

Cloudburst Flight

Thru Metamorphic Rock

To contact Mott the Dog email: [email protected]